Dear Keith,
The following video is my progress until now:
(setup)
I have created the mobile phone signal detector from some reference from
the web. The setup is now have a computer that connect to the signal detector
with 1.5V AAx2 power supply. And the screen will display the visual which
according to the signal input into the computer through the microphone input.
(_one)
This scene display squares randomly. When it have signal detected,
the size of the square will change.
(_two)
This is similar to _one but this only one circle in there.
(_three)
This scene show a running man that run left and right in the screen. If it have detect the signal, it will run faster.
(_four)
This scene is not very success right now cos I want it can change the color according
to the signal, but mostly it have changed to different level of gray. I will make it more better.
I have several questions:
1. What do you think that if I put this work in the form of some Kiosk instead of installation that I said before?
2. With the current work, what things should need to do that I have missed?
And sorry that I need to have a business trip from 15-25 July, is that possible arrange a meeting with you that about 26 July?
Many thanks.
Regards,
Ming
2007年7月12日 星期四
2007年6月25日 星期一
Progress
Dear all,
Sorry that I have finished less then 70% of the project, and attached PDF is my progress until now, please kindly have a look and provide any comments. Sorry again that I will not join the meeting tomorrow that I want to make the mobile phone detector at home.
Progress PDF
Many thanks and Regards,
Ming
Sorry that I have finished less then 70% of the project, and attached PDF is my progress until now, please kindly have a look and provide any comments. Sorry again that I will not join the meeting tomorrow that I want to make the mobile phone detector at home.
Progress PDF
Many thanks and Regards,
Ming
2007年6月20日 星期三
How to use a webcam to capture the vister's position as the cursor controlled by mouse
hello, Keith,
As discussed last meeting, in my installation, i will use a webcam to capture the vister's position as the cursor controlled by mouse (the moving of mouse will become the moving of vister). Is there any ways to achieve that in processing? Can you suggest some ways for me to do that? Thanks.
Below is my source code about how to move the mouse to change the position and size of each image.
/**
* Moving the mouse changes the position and size of each image.
*/
void setup()
{
size(750, 750);
noStroke();
}
void draw()
{
background(255,255,255);
PImage b;
b = loadImage("er.gif");
image(b, width/1.1-mouseX, height/3, ((height-mouseY)/2)-100, ((height-mouseY)/2)-100);
PImage c;
c = loadImage("bu.gif");
image(c, mouseY/2, width/2-120, mouseX/2+10, mouseX/2+10);
PImage a;
a = loadImage("he.gif");
image(a, mouseX/2, height/3+120, mouseY/2+10, mouseY/2+10);
PImage d;
d = loadImage("tong.gif");
image(d, width/2.5, height-mouseY, ((height-mouseX)/2)+10, ((height-mouseX)/2)+10);
PImage e;
e = loadImage("junzi.gif");
image(e, width/2, height-mouseX, ((height-mouseX)/2)+10, ((height-mouseX)/2)+10);
}
As discussed last meeting, in my installation, i will use a webcam to capture the vister's position as the cursor controlled by mouse (the moving of mouse will become the moving of vister). Is there any ways to achieve that in processing? Can you suggest some ways for me to do that? Thanks.
Below is my source code about how to move the mouse to change the position and size of each image.
/**
* Moving the mouse changes the position and size of each image.
*/
void setup()
{
size(750, 750);
noStroke();
}
void draw()
{
background(255,255,255);
PImage b;
b = loadImage("er.gif");
image(b, width/1.1-mouseX, height/3, ((height-mouseY)/2)-100, ((height-mouseY)/2)-100);
PImage c;
c = loadImage("bu.gif");
image(c, mouseY/2, width/2-120, mouseX/2+10, mouseX/2+10);
PImage a;
a = loadImage("he.gif");
image(a, mouseX/2, height/3+120, mouseY/2+10, mouseY/2+10);
PImage d;
d = loadImage("tong.gif");
image(d, width/2.5, height-mouseY, ((height-mouseX)/2)+10, ((height-mouseX)/2)+10);
PImage e;
e = loadImage("junzi.gif");
image(e, width/2, height-mouseX, ((height-mouseX)/2)+10, ((height-mouseX)/2)+10);
}
2007年6月12日 星期二
hello, Keith,
As discussed last meeting, in my installation, i will use a webcam to capture the vister's position as the cursor controlled by mouse (the moving of mouse will become the moving of vister). Is there any ways to achieve that in processing? Can you suggest some ways for me to do that? Thanks.
Below is my source code about how to move the mouse to change the position and size of each image.
/**
* Moving the mouse changes the position and size of each image.
*/
void setup()
{
size(750, 750);
noStroke();
}
void draw()
{
background(255,255,255);
PImage b;
b = loadImage("er.gif");
image(b, width/1.1-mouseX, height/3, ((height-mouseY)/2)-100, ((height-mouseY)/2)-100);
PImage c;
c = loadImage("bu.gif");
image(c, mouseY/2, width/2-120, mouseX/2+10, mouseX/2+10);
PImage a;
a = loadImage("he.gif");
image(a, mouseX/2, height/3+120, mouseY/2+10, mouseY/2+10);
PImage d;
d = loadImage("tong.gif");
image(d, width/2.5, height-mouseY, ((height-mouseX)/2)+10, ((height-mouseX)/2)+10);
PImage e;
e = loadImage("junzi.gif");
image(e, width/2, height-mouseX, ((height-mouseX)/2)+10, ((height-mouseX)/2)+10);
}
As discussed last meeting, in my installation, i will use a webcam to capture the vister's position as the cursor controlled by mouse (the moving of mouse will become the moving of vister). Is there any ways to achieve that in processing? Can you suggest some ways for me to do that? Thanks.
Below is my source code about how to move the mouse to change the position and size of each image.
/**
* Moving the mouse changes the position and size of each image.
*/
void setup()
{
size(750, 750);
noStroke();
}
void draw()
{
background(255,255,255);
PImage b;
b = loadImage("er.gif");
image(b, width/1.1-mouseX, height/3, ((height-mouseY)/2)-100, ((height-mouseY)/2)-100);
PImage c;
c = loadImage("bu.gif");
image(c, mouseY/2, width/2-120, mouseX/2+10, mouseX/2+10);
PImage a;
a = loadImage("he.gif");
image(a, mouseX/2, height/3+120, mouseY/2+10, mouseY/2+10);
PImage d;
d = loadImage("tong.gif");
image(d, width/2.5, height-mouseY, ((height-mouseX)/2)+10, ((height-mouseX)/2)+10);
PImage e;
e = loadImage("junzi.gif");
image(e, width/2, height-mouseX, ((height-mouseX)/2)+10, ((height-mouseX)/2)+10);
}
GPS data acquiring method
Mobile processing may be a bit difficult for you at this stage as it need you to setup many things like Wireless toolkits, etc.
You do it in Processing!
The step should be:
First, connect your bluetooth GPS device to your computer. The GPS device should be communicate with computer via COM port.
In processing, communicating with COM port is simple:
http://www.processing.org/reference/libraries/serial/index.html
It has good example. After you can connect GPS, you can then communicate with GPS and receive the data.
You no need to "request" the GPS to send you data, but it will keep sending you data. What you need to do is just analysis the data, and get the useful data.
Here is the link:
http://www.tigoe.net/pcomp/code/archives/processing/000766.shtml
It show you how to analysis the GPS data.
The GPS data format is NMEA 0183. It is one of the standard of GPS data. But there are different kind of format even in NMEA 0183: GGA, RMC, RMB.
This example is using GGA.
This example is very cool that even show which one is latitude and longitude .
You can get the whole data format here:
http://www.kh-gps.de/nmea-faq.htm
You do it in Processing!
The step should be:
First, connect your bluetooth GPS device to your computer. The GPS device should be communicate with computer via COM port.
In processing, communicating with COM port is simple:
http://www.processing.org/reference/libraries/serial/index.html
It has good example. After you can connect GPS, you can then communicate with GPS and receive the data.
You no need to "request" the GPS to send you data, but it will keep sending you data. What you need to do is just analysis the data, and get the useful data.
Here is the link:
http://www.tigoe.net/pcomp/code/archives/processing/000766.shtml
It show you how to analysis the GPS data.
The GPS data format is NMEA 0183. It is one of the standard of GPS data. But there are different kind of format even in NMEA 0183: GGA, RMC, RMB.
This example is using GGA.
This example is very cool that even show which one is latitude and longitude .
You can get the whole data format here:
http://www.kh-gps.de/nmea-faq.htm
2007年6月11日 星期一
Processing
Hi Keith
I got a blue tooth GPS receiver, i downloaded processing and mobile processing, do you know which one should i use, when i use mobile processing, it ask to "location the wireless toolkit" what it means??
BTW, do you have any example which about blueTooth works in processing?
thxthx
Chris
I got a blue tooth GPS receiver, i downloaded processing and mobile processing, do you know which one should i use, when i use mobile processing, it ask to "location the wireless toolkit" what it means??
BTW, do you have any example which about blueTooth works in processing?
thxthx
Chris
2007年6月9日 星期六
2007年6月4日 星期一
2007年5月29日 星期二
Chinese calligraphy & Harmony
Hello, Keith,
Following are some articles related with my new idea.
In my installation, 參加者透過自身的移動去演譯書法三大要素之一的"章法"，讓參加者感受書法所表現出的和諧之美。
何謂"章法"？
"書法如何排字，就是一幅字如何排才美",這正是書法傳統三大要素之一的"章法".
據默雷個人的體會,書法的"章法"概要,如果一言以蔽之,那就是"矛盾之謂美".
大小,方圓,高低,疏密,正斜,虛實等各類矛盾,無不貫穿於書法章法之始終.主要的課題有兩個:
一.如何充分運用各類矛盾,使之達到最大的藝術視覺衝突,是書法章法之形而下的研究範疇,也就是說,那是我們可以推敲可以展現可以明確實證的範疇;
二.如何在矛盾衝突中,游刃有餘地對其衝突展開得心應手的掌控,使之在"衝突中消解,矛盾裡中和",到達矛盾對立統一的更高層次,屬於書法章法形而上的研究範疇,很難形於言錶,全靠字外之功了!
另:現代書法發展中,還創造性地採用了"塊面疊加","分體錯位","裁截邊框"等特殊手段,造成現代書法光怪陸離的章法效果,雖毀譽不一,但也可一觀.
一切皆有可能!
和諧——中國書法藝術審美的最高境界
內容摘要：
關 鍵 詞：和諧 多樣統一 審美 境界
中國書法藝術是一個充滿線條矛盾的有機統一的和諧世界。書法線條組合關係的整體和諧，是人類和諧意識的必然反映，是民族哲學
觀念的藝術外化。書法和諧美的追求，已積澱成難以變異的審美規範和書法形式感的錶現模式。和諧美是中國書法藝術的最高美感追
求，和諧是中國書法藝術審美的最高境界。
□ 肖培金
中國書法是線條的藝術，是一個充滿線條矛盾的有機統一的和諧世界。無論在單體組合（結構）和整體組合（章法）中，都存在著極為複雜的線條矛盾關係。如直曲、方圓、剛柔、疾澀、長短、粗細、正欹、疏密、主次、曏背、呼應、潤燥、虛實等等。雖然它們都屬於對立範疇，但在書法形式美的總體關係中，所錶現出來的基本規律卻是“多樣的統一”。書法中的所謂“多樣”，即指整體（結構或章法）中所包含的各種線條形式上的區別和差異性。“統一”，則是指各種線條在形式上的某些共同的特徵及彼此間的某些關聯、呼應和襯托關係。“多樣的統一”就是和諧。早在兩千多年前老子就說過：“道生一、一生二、二生三、三生萬物。萬物負陰而抱陽，衝氣以為和。”（《道德經》42 章）表達了萬物統一及對立面統一等樸素的辯證法思想。公元前二世紀古希臘數學家斐安也指出：“和諧是雜多的統一，是不協調因素的協調。”（《西方美學論美和美感》第 14 頁）在書法造型中，無論是有顯著對立關係的線條所造成的統一（對比統一），或由不太明顯變化的非對立關係的線條所造成的統一（調和統一），最終都是在變化中歸於和諧，在變化中見出多樣的美來。因此，書法美在於變化，在於多種因素的和諧統一，這在中國書法史上已成為不爭的事實。和諧正是由矛盾和對立造成的，失去了矛盾對立，也就失去了和諧，失去了書法之美。強調書法的變化是在統一制約下的變化，而非孤立的變化或者是一味的變化。而沒有統一，即是不和諧。統一而無變化就單調。在書法作品的形式中，既要變化，又要和諧，似乎是很矛盾的。而正是因為這種矛盾的因素才構成了書法藝術的魅力。但問題的關鍵在於二者如何達到和諧統一。大千世界是豐富變化的，而這種變化又要統一於宇宙的運行規律之中，即要合其道，按照宇宙秩序發展變化。我們說一件上乘作品即是一個濃縮的小宇宙，咫尺之內涵蓋了整個世界無窮變化之理，是超於現實世界形式之上的、抽象的精神世界。在這裡，許多的視覺造型語言得到了極大的發揮與張揚。世界的各種矛盾因素在線的粗細、長短、濃淡、虛實、剛柔、輕重、快慢、干濕等等各種對應因素錯綜複雜的節奏變化中得到錶現，也因此構成了書法藝術的書法之美。否則，書法作品簡單、空洞，感情不充實，難以達到書法藝術在精神層次的享受。我們說真正的書法不只是感官的一種滿足，更主要的是思想上、精神上的享受。而這種精神享受正是以作品的和諧為前提的，是在書法美的變化和諧矛盾的統一中，體現著世界的根本規律，即對立統一規律。它體現在書法美的諸多方面，一點、一畫、一幅作品都是處在矛盾的統一之中，其自身就是一個矛盾的統一體。縱觀歷代優秀的書法作品，它總是藴含著豐富的矛盾因素，體現著無窮的節奏變化和生命的意藴，才使我們有讀它千遍亦不厭倦之感。它是一個具有生命活力的精神世界，具有審美特質。從書法藝術的角度看，宋徽宗的瘦金體並非因其書體本身存在甚麼缺點，而是因為千篇一律的單調不符合書法美的多樣性，似乎是在一種簡單的機械重復之中完成的，無情感的註入，與天下第二行書《祭侄文稿》有著天壤之別。孫過庭說得好：“至若數畫並施，其形各異；眾點齊列，為體互乖。一點成一字之規，一字乃終篇之准。違而不犯，和而不同；留不常遲，遣不恆疾；帶燥方潤，將濃遂枯；泯規矩於方圓，遁鈎繩之曲直；乍顯乍晦，若行若藏；窮變態於毫端，和情理於紙上。”（《書譜》）書法之美，就是在變化中求統一，在統一中求變化，“違而不犯，和而不同”，無規而不離規，有規又是在恣情的揮運中創造出來的。孫過庭的書法多樣統一論，深入剖析了書法的最小構件點與畫的關係。數畫並施，既顯示其形各異，錶現出多樣性與豐富性，又錶現出高度的統一性。在每一畫之間應“變起伏於峰杪”，在畫與畫間更應巧妙變化，各顯姿態，這都是和諧統一的。縱觀古今書法，沒有哪一家不是在線條對立傾曏的綜合中，達到整體和諧的。試看王羲之《蘭亭序》中的橫畫，豐富多變，有露有橫、藏鋒橫、垂頭橫、下挑橫、並列橫，而在並列橫中，筆法、角度、粗細、長短都有不同的變化，多樣統一，美不勝收，給人以審美的愉悅。
http://bbs.shufa.com/archiver/tid-10596.html
Below is a link about Modern Calligraphy:
http://www.wenhuacn.com/shufa/article.asp?classid=46&articleid=5619
Following are some articles related with my new idea.
In my installation, 參加者透過自身的移動去演譯書法三大要素之一的"章法"，讓參加者感受書法所表現出的和諧之美。
何謂"章法"？
"書法如何排字，就是一幅字如何排才美",這正是書法傳統三大要素之一的"章法".
據默雷個人的體會,書法的"章法"概要,如果一言以蔽之,那就是"矛盾之謂美".
大小,方圓,高低,疏密,正斜,虛實等各類矛盾,無不貫穿於書法章法之始終.主要的課題有兩個:
一.如何充分運用各類矛盾,使之達到最大的藝術視覺衝突,是書法章法之形而下的研究範疇,也就是說,那是我們可以推敲可以展現可以明確實證的範疇;
二.如何在矛盾衝突中,游刃有餘地對其衝突展開得心應手的掌控,使之在"衝突中消解,矛盾裡中和",到達矛盾對立統一的更高層次,屬於書法章法形而上的研究範疇,很難形於言錶,全靠字外之功了!
另:現代書法發展中,還創造性地採用了"塊面疊加","分體錯位","裁截邊框"等特殊手段,造成現代書法光怪陸離的章法效果,雖毀譽不一,但也可一觀.
一切皆有可能!
和諧——中國書法藝術審美的最高境界
內容摘要：
關 鍵 詞：和諧 多樣統一 審美 境界
中國書法藝術是一個充滿線條矛盾的有機統一的和諧世界。書法線條組合關係的整體和諧，是人類和諧意識的必然反映，是民族哲學
觀念的藝術外化。書法和諧美的追求，已積澱成難以變異的審美規範和書法形式感的錶現模式。和諧美是中國書法藝術的最高美感追
求，和諧是中國書法藝術審美的最高境界。
□ 肖培金
中國書法是線條的藝術，是一個充滿線條矛盾的有機統一的和諧世界。無論在單體組合（結構）和整體組合（章法）中，都存在著極為複雜的線條矛盾關係。如直曲、方圓、剛柔、疾澀、長短、粗細、正欹、疏密、主次、曏背、呼應、潤燥、虛實等等。雖然它們都屬於對立範疇，但在書法形式美的總體關係中，所錶現出來的基本規律卻是“多樣的統一”。書法中的所謂“多樣”，即指整體（結構或章法）中所包含的各種線條形式上的區別和差異性。“統一”，則是指各種線條在形式上的某些共同的特徵及彼此間的某些關聯、呼應和襯托關係。“多樣的統一”就是和諧。早在兩千多年前老子就說過：“道生一、一生二、二生三、三生萬物。萬物負陰而抱陽，衝氣以為和。”（《道德經》42 章）表達了萬物統一及對立面統一等樸素的辯證法思想。公元前二世紀古希臘數學家斐安也指出：“和諧是雜多的統一，是不協調因素的協調。”（《西方美學論美和美感》第 14 頁）在書法造型中，無論是有顯著對立關係的線條所造成的統一（對比統一），或由不太明顯變化的非對立關係的線條所造成的統一（調和統一），最終都是在變化中歸於和諧，在變化中見出多樣的美來。因此，書法美在於變化，在於多種因素的和諧統一，這在中國書法史上已成為不爭的事實。和諧正是由矛盾和對立造成的，失去了矛盾對立，也就失去了和諧，失去了書法之美。強調書法的變化是在統一制約下的變化，而非孤立的變化或者是一味的變化。而沒有統一，即是不和諧。統一而無變化就單調。在書法作品的形式中，既要變化，又要和諧，似乎是很矛盾的。而正是因為這種矛盾的因素才構成了書法藝術的魅力。但問題的關鍵在於二者如何達到和諧統一。大千世界是豐富變化的，而這種變化又要統一於宇宙的運行規律之中，即要合其道，按照宇宙秩序發展變化。我們說一件上乘作品即是一個濃縮的小宇宙，咫尺之內涵蓋了整個世界無窮變化之理，是超於現實世界形式之上的、抽象的精神世界。在這裡，許多的視覺造型語言得到了極大的發揮與張揚。世界的各種矛盾因素在線的粗細、長短、濃淡、虛實、剛柔、輕重、快慢、干濕等等各種對應因素錯綜複雜的節奏變化中得到錶現，也因此構成了書法藝術的書法之美。否則，書法作品簡單、空洞，感情不充實，難以達到書法藝術在精神層次的享受。我們說真正的書法不只是感官的一種滿足，更主要的是思想上、精神上的享受。而這種精神享受正是以作品的和諧為前提的，是在書法美的變化和諧矛盾的統一中，體現著世界的根本規律，即對立統一規律。它體現在書法美的諸多方面，一點、一畫、一幅作品都是處在矛盾的統一之中，其自身就是一個矛盾的統一體。縱觀歷代優秀的書法作品，它總是藴含著豐富的矛盾因素，體現著無窮的節奏變化和生命的意藴，才使我們有讀它千遍亦不厭倦之感。它是一個具有生命活力的精神世界，具有審美特質。從書法藝術的角度看，宋徽宗的瘦金體並非因其書體本身存在甚麼缺點，而是因為千篇一律的單調不符合書法美的多樣性，似乎是在一種簡單的機械重復之中完成的，無情感的註入，與天下第二行書《祭侄文稿》有著天壤之別。孫過庭說得好：“至若數畫並施，其形各異；眾點齊列，為體互乖。一點成一字之規，一字乃終篇之准。違而不犯，和而不同；留不常遲，遣不恆疾；帶燥方潤，將濃遂枯；泯規矩於方圓，遁鈎繩之曲直；乍顯乍晦，若行若藏；窮變態於毫端，和情理於紙上。”（《書譜》）書法之美，就是在變化中求統一，在統一中求變化，“違而不犯，和而不同”，無規而不離規，有規又是在恣情的揮運中創造出來的。孫過庭的書法多樣統一論，深入剖析了書法的最小構件點與畫的關係。數畫並施，既顯示其形各異，錶現出多樣性與豐富性，又錶現出高度的統一性。在每一畫之間應“變起伏於峰杪”，在畫與畫間更應巧妙變化，各顯姿態，這都是和諧統一的。縱觀古今書法，沒有哪一家不是在線條對立傾曏的綜合中，達到整體和諧的。試看王羲之《蘭亭序》中的橫畫，豐富多變，有露有橫、藏鋒橫、垂頭橫、下挑橫、並列橫，而在並列橫中，筆法、角度、粗細、長短都有不同的變化，多樣統一，美不勝收，給人以審美的愉悅。
http://bbs.shufa.com/archiver/tid-10596.html
Below is a link about Modern Calligraphy:
http://www.wenhuacn.com/shufa/article.asp?classid=46&articleid=5619
2007年5月21日 星期一
Meeting Postphoned
Dear all,
I need to rush the exhibition up for the coming exhibition in Thursday which originally i think i can finish up earlier. So I need to change the meeting with you, which will be postphoned to the next Tuesday, same time, same place. Meanwhile, please prepared your amended idea/concept/execution so that we can discuss it smoothly in the coming meeting.
Btw, the exhibition is here and welcome to join:
http://gulldy.org/blog/exhibition/
also has seminars!
Keith
I need to rush the exhibition up for the coming exhibition in Thursday which originally i think i can finish up earlier. So I need to change the meeting with you, which will be postphoned to the next Tuesday, same time, same place. Meanwhile, please prepared your amended idea/concept/execution so that we can discuss it smoothly in the coming meeting.
Btw, the exhibition is here and welcome to join:
http://gulldy.org/blog/exhibition/
also has seminars!
Keith
2007年5月17日 星期四
Meeting at next Tuesday
It's time to meet again after your tough intern presentation.
Next Tuesday 22/5, 7:30pm.
Next Tuesday 22/5, 7:30pm.
2007年5月4日 星期五
My interim-present poster card board
Dear all,
I have created the poster card board for the interim-presentation. Like most of you, I have create 3 of it. Please give me any comments for them if you are free.
Many Thanks.
Regards,
Ming ^^
I have created the poster card board for the interim-presentation. Like most of you, I have create 3 of it. Please give me any comments for them if you are free.
Many Thanks.
Regards,
Ming ^^
2007年5月1日 星期二
Meeting on Wednesday?
As discussed, we are going to meet at Wednesday (2/5) for serious mock presentation.
Who cannot come?
I will follow the whole formal presentatin process to see, that means you guys only have 10 mins to do it!
Start at 7pm?
Keith
Who cannot come?
I will follow the whole formal presentatin process to see, that means you guys only have 10 mins to do it!
Start at 7pm?
Keith
2007年4月23日 星期一
Meeting Today (24/4) 7:30pm the same place
Hey guys,
just to remind you all we have a meeting today which is the mock presentation, except "Black Rain" tonight.
Keith
2007年4月10日 星期二
Cell Phone Disco
Dear all,
The folowing are the information about the Cell Phone Disco.
URL:
http://cellphonedisco.informationlab.org/
Video:
Besides, for the GPS, if really using notebook computer for it, I suggested that it can use a USB version (if available) instead of Bluetooth one.
Regards,
Ming ^^
The folowing are the information about the Cell Phone Disco.
URL:
http://cellphonedisco.informationlab.org/
Video:
Besides, for the GPS, if really using notebook computer for it, I suggested that it can use a USB version (if available) instead of Bluetooth one.
Regards,
Ming ^^
2007年4月1日 星期日
Meeting at 10/4 7:30pm
hey guys,
Let's meet at 10/4 7:30pm, hope that we can have more process from you after the long hoilday.
Keith
Let's meet at 10/4 7:30pm, hope that we can have more process from you after the long hoilday.
Keith
Please help me!
Hello, Keith,
I downloaded the Processing for Windows (without Java), but when i wanted to open it, a error occurded (See attached image, error window.jpg), and Processing did't run. What happened? Do I need to install Java? or something need to be set up?
Can you give me some advises?
Thank you very much,
Decky
2007年3月20日 星期二
NDS and wii, and technical notes
Yesterday I promise I will post some information about NDS homebrew, you can visit my blog and i've just posted some links:
http://www.the-demos.com/?p=140
http://www.the-demos.com/?p=141
And Decky, you can try processing, here is one of some of links for reference:
http://sweb.cityu.edu.hk/sm1204
http://www.shiffman.net/itp/classes/ppaint/
The first one is very basic on processing. The second one include some graphic programming in processing, and very basic motion tracking.
But the simplest way is to use plug-in, Blobdetection is a simple one which Shadow Monster is using this:
http://www.v3ga.net/processing/BlobDetection/
For Pure Data, for Chris and others, here is:
http://sweb.cityu.edu.hk/sm1205 (notes)
http://sourceforge.net/projects/pure-data (download pure data)
Let's try it Chris and do some live with this, i used to play with this in live, excellent!
http://www.the-demos.com/?p=140
http://www.the-demos.com/?p=141
And Decky, you can try processing, here is one of some of links for reference:
http://sweb.cityu.edu.hk/sm1204
http://www.shiffman.net/itp/classes/ppaint/
The first one is very basic on processing. The second one include some graphic programming in processing, and very basic motion tracking.
But the simplest way is to use plug-in, Blobdetection is a simple one which Shadow Monster is using this:
http://www.v3ga.net/processing/BlobDetection/
For Pure Data, for Chris and others, here is:
http://sweb.cityu.edu.hk/sm1205 (notes)
http://sourceforge.net/projects/pure-data (download pure data)
Let's try it Chris and do some live with this, i used to play with this in live, excellent!
PaintImprovisation
Hi Keith, did you know how to do that or could you please send me the information... web site, software info and data source?
Thanks,
Joe Fong
Thanks,
Joe Fong
2007年3月8日 星期四
Takashi's Seasons
"Takashi's Seasons" is a sequential live shadow puppet / video performance in which various scenes interpreting the four seasons are performed by a modern Utsushi-e artist.
2007年3月6日 星期二
2007年3月5日 星期一
2nd Guest Lecture for SPD4140 Graduation Project and Exhibition
Dear Students,
Please be informed that the second guest lecture is scheduled on 13 March 2007 (Tuesday) for subject SPD4140 Graduation Project and Exhibition with particulars as follows:
Guest Speaker: Anson Mak
Date and Time: 7:00 - 10:00 pm, 13 March 2007 (Tuesday)
Venue: Room 1907A&B, Hong Kong Art School Learning Centre
Anson Mak is a video maker, writer, researcher, phonography sound artist, and former AMK member (local band). She has a new feature length documentary, ONE WAY STREET ON A TURNTABLE, showing in HKIFF this year. (Please kindly see the links for further information)
唱盤上的單行道
導演: 麥海珊
年份: 2006
色彩: 彩色/黑白
語言: 粵語
片長: 74 分鐘
(http://www.hkiff.org.hk/chi/programme/show_detail.php?fi_id=160&se_id=18)
導演: 麥海珊
年份: 2006
色彩: 彩色/黑白
語言: 粵語
片長: 74 分鐘
(http://www.hkiff.org.hk/chi/programme/show_detail.php?fi_id=160&se_id=18)
short bio:
http://www.aahsun.com/eabout.htm
http://www.aahsun.com/eabout.htm
2007年3月4日 星期日
2007年2月22日 星期四
Meeting date change
Dear all,
I am sorry that i have urgent meeting next Tuesday night so that I need to change our meeting. I would like to postphone it 1 more week.
Please reply your availability here.
Keith
I am sorry that i have urgent meeting next Tuesday night so that I need to change our meeting. I would like to postphone it 1 more week.
Please reply your availability here.
Keith
2007年2月19日 星期一
more on visual music
(from joe's reply, embedded youtube videos)
Personally I love Sakamoto's performance with Toshio Iwai "1919".
I've post the link below in the reply of Ming's post. I love that the most. Performance with Alva Noto "Insen" some how for me is bit "outdated", of course, it is not fair to compare with 1919 since it was so perfect.
Toshio Iwai himself is a very good artist specialize in sound visualization. His TENORI-ON is his super cool and noziey work. Check out in youtube for thousands of Tenori-on.
http://youtube.com/results?search_query=TENORI-ON&search=Search
Electroplankton for NDS is his another cool work.
Of course, my inspiration, I won't hesitate to suggest to get reference from the master of Visual Music Thomas Wilfred:
http://www.lumia-wilfred.org/content/animation/index.html
Lumia and Clavilux is must see.
Remember i've talked about the work that to put the sand on the speakers? This is Gary Hill's Soundings (or exactly, should be "Mediations" remake of soundings).
http://www.newmedia-art.org/cgi-bin/show-oeu.asp?ID=I0150282&lg=FRA
Perfect example on experimenting the relationship between sound and visual.
I found a similar DVD from the neo-jazz album Fast Asleep by Funki Porcini.
Personally I love Sakamoto's performance with Toshio Iwai "1919".
I've post the link below in the reply of Ming's post. I love that the most. Performance with Alva Noto "Insen" some how for me is bit "outdated", of course, it is not fair to compare with 1919 since it was so perfect.
Toshio Iwai himself is a very good artist specialize in sound visualization. His TENORI-ON is his super cool and noziey work. Check out in youtube for thousands of Tenori-on.
http://youtube.com/results?search_query=TENORI-ON&search=Search
Electroplankton for NDS is his another cool work.
Of course, my inspiration, I won't hesitate to suggest to get reference from the master of Visual Music Thomas Wilfred:
http://www.lumia-wilfred.org/content/animation/index.html
Lumia and Clavilux is must see.
Remember i've talked about the work that to put the sand on the speakers? This is Gary Hill's Soundings (or exactly, should be "Mediations" remake of soundings).
http://www.newmedia-art.org/cgi-bin/show-oeu.asp?ID=I0150282&lg=FRA
Perfect example on experimenting the relationship between sound and visual.
I found a similar DVD from the neo-jazz album Fast Asleep by Funki Porcini.
2007年2月18日 星期日
2007年2月14日 星期三
Meeting
Hey guys,
I am planning to meet you all right after the chinese new year.
How about 27/2 , 7:30pm at Art School? Please leave your feedback here.
This time, please bring your "detail" idea/proposal. We are going to discuss around.
I won't say "i need" what in the coming meeting, but i'd "suggest" you at least have some background research on your idea.
The most important is the OUTPUT FORM (sound installation, interactive installation, DVD, etc) of your project. At least you have something want to archieve, right?
Okay, how about I make a list for you:
1) Basic research (histroy research, relevant work, technical aspect (if any) )
2) Your ideal schedule to run the project
3) Output form of your work
4) What you need to archieve that you don't even know what is it (especially in technical)
Meanwhile, you can post question on this blog. I will read this blog everyday.
Keith
I am planning to meet you all right after the chinese new year.
How about 27/2 , 7:30pm at Art School? Please leave your feedback here.
This time, please bring your "detail" idea/proposal. We are going to discuss around.
I won't say "i need" what in the coming meeting, but i'd "suggest" you at least have some background research on your idea.
The most important is the OUTPUT FORM (sound installation, interactive installation, DVD, etc) of your project. At least you have something want to archieve, right?
Okay, how about I make a list for you:
1) Basic research (histroy research, relevant work, technical aspect (if any) )
2) Your ideal schedule to run the project
3) Output form of your work
4) What you need to archieve that you don't even know what is it (especially in technical)
Meanwhile, you can post question on this blog. I will read this blog everyday.
Keith
2007年2月11日 星期日
Shall we meet on Tuseday (13/2/2007)?
Dear Keith and Team members,
Shall we meet on Tuseday (13/2/2007)?
For me, before enjoy our Chinese New Year, I think it is right time for us to share anything what we have collected or researched for those weeks. Welcome for feedbacks. Thanks.
David
Shall we meet on Tuseday (13/2/2007)?
For me, before enjoy our Chinese New Year, I think it is right time for us to share anything what we have collected or researched for those weeks. Welcome for feedbacks. Thanks.
David
2007年2月4日 星期日
Questions....
Dear Keith,
I have some questions about the video:
(1) What tools can I used to produce the BGM and sound effect similar to the video embedded?
(2) What tools can produce the animation in the videos? (just Affect Effect?)
(3) Do you have any reference related to the sound visualization?
(like the DVD name about Ericsson that you mentioned before?)
Many Thanks
Ming ^^
2007年1月29日 星期一
訂閱：
文章 (Atom)